Dissolution of Form No. 4
**
NAM HOANG TRAN is a multidisciplinary artist living in New Orleans. Recent work appears in RESOURCES, bethh, Indefinite Space, Feral Dove, Action, Spectacle, and like a field, among others.
Toward a productive literature
Dissolution of Form No. 4
**
NAM HOANG TRAN is a multidisciplinary artist living in New Orleans. Recent work appears in RESOURCES, bethh, Indefinite Space, Feral Dove, Action, Spectacle, and like a field, among others.
Simile
Words like seeds come to us with all the appearance of natural objects yet as with each successive generation of the plant each use of the word produces a new and subtly different word in place of the one we’ve started with a process of millennia.
**
Garden
select grain dazzle shadowed leech peptide oriole clumped chain-link dangle karst femcel toothsome foray aerie steeled theorize stalwart glucose aspect summered hidden garbled eyelid questing boorish suckle toolsy steeped polish shoelace twig ingest sealant polar dime grist pleasure upside chintzy gusty spire winsome wholly ostrich styling pop-tart D/s cultured put-in bubble stonewall fussy rippling induce oaf Cossack straighten benchwarm cooling soused broil distinct hopeful bite sallied re-lit excerpt gas-cap budding starshine intent rectum wordy earthbound ball-boy therefore hostel custard exhale stinging presto quotient bag phasing render fulcrum f-stop seam girlish pedal roof-rack slipper hatch palsy tea-leaf sharps deck hoarding armpit post bouillon spell spoil colic uplift songcraft adder orgone cost curate meaning gimbal hydrate malted revere wormwood open scythe frame stamped shading mica still pristine grammar coil foxing edge caffeine lube evoke cistern pulp line chewy abut dyke pustule hand-cream nesting meeple joystick two-ply cycle leather marbled dream lapse pre-made styrene spectate bully pince-nez Malbec huff python oozing spinner thought blossom peeler dish-wash golden strung opal chasm rocking withheld stolid costume Theban hambone concuss carveout dreary vapid oyster strainer opp typeset tailings observe portent limestone auger hustle Dutch gable spume fucker grooved soil apex hoppy boomer chorus copy godsend stanchion forces polyp speaker purl tear cross beadle legal terrace vibrant poppers piercing echo wound exhaust debris logo spud wrestle teak bandage amp we shuck cloister fragile racist corpus ochre fauna query biscuit goober worsted newsprint fry chickpea agile Furies ogle halfback cunty margin sugar brassy tie-in sous-vide cockle agate stifle wired char cola sensing column P-trap weir pram marrow meaning secant legging holder clocked tempo toggle A/C kickback pupil scarf horny sage psyche offline headphone treaty coleslaw moony seed homebound charger meme plastic choral page eddy clef flout solder tingle pyrrhic plaintiff keyring tom-tom aging pump napalm keening egress dusted arch shingle lantern hokey kayak veined treacle hulking sheer beanie prestige ample stump capo dapple acorn burl queso ellipse dreaded strident phage CC utter playful caper termite languish yes easy backroom bleach shopping aubade seven bookmark jape breeder shard shoehorn hour vacuum outgrown repeat porch abrade lefty sprinkle seamless lecture grizzle contacts lenten pinto wizened seep invite version bareback daybed crappy stray twenty censer purloin whisker life queasy catnip parch skillset stim crinkle immune cantrip sounding frill spent spelt ogre anchor float mural struggle penny calling rushes tchotchke moral anxious crepe manner package space crux paisan ante gibber pill slow-roll 3D fretless coaster arcane BB circle spry sortie locker poignant alert fetid abject girded punish prankster direct blanch river ethic oval signal purge achey zig inner port plant neon gauche stodgy hyped midriff gargling vague scree exist sameness fashioned teeter eavesdrop clouded control nightclub wrought friction pregnant pestle eager logged morel forefront jewel research lips ohm g-string crash-out compound redoubt saddle effete vector plant rent tongue straggle esteem token wave crush flex scalpel signet oak view slog sequence translate bar skiffle pond decay rub shirk ulcer create dire clip peopled fade druthers seat toggle track-list art swim balk vining pause nineties recede proper cloven selfsame cherry plywood apron engine porpoise insight birds crusade bump tea virile dual world chuffed spanner upon hang cusp jones helix seeker quilt lax blend grinder stingray cuckold frozen curve marker sauna eerie tile above mundane next heater bucket smush toolbox rice work briquette krill pool gasp mammal review fault ferry timer degree pothole oxen offload tritone veldt clench schedule lockage vagus aster keep bygone binding afloat smokey crimp magnet season breakthrough agar stronghold lounger brick maul handler cotton index mission synth losses plumage vane archive birthday nipple parse bait sherry dole pip travel monster spange baste prose fae epoch link studded portrait egg waft design perplex kegel gyre symbol effort angle question office opaque pressing upheld reflect contra include settle argyle affront wading inert quince forked carton tidal offspring pedant hemlock April to-go patrol broom satchel swale holding decent response wooey curb titrate enter sideways e-ink pickle react undone offal engage scrub-grass wares escape sidle zoom tunnel retread flower retire greyscale serif wind-chime lusty framework punch copper heeded let’s sitcom ballast promise totem greedy wicker weevil tipple ground blush thigh milk briefcase optics scurvy raven helmet ankle resist fidget volume menu renew sonar captive size beerhall looming second candle inline land shy diesel graveyard reeling locked prop spirit tundra pelvic name email scribble voice circlude notate soft-serve union geezer dump-truck collie lidded coddle boxy jungle derive smut turf hydrant homeward poop distend sentence foil choosing anthill progress gorge log-roll runoff locale combo toothpick sunken file corrupt speedo device turgid recite charcoal torch-song lifetime printout deftly ether steer spindle orange quaalude velvet fanny interest crosstie buckle command spray-paint fusty pontoon willow booster working liner florid perch forego stratum fleshy prate singe torpor pierce lime purse strafing spillway engrave cope eke blatant phoneme abstruse download clear pining long mordant purview offer glue stoplight cap specie shifter deduct hi-vis puck faux lustral sorrow dreamscape thirst glitter mythos squeal harrow balding sweetness ringing pole among byline scheme buccal joke reduce stye fugue grit clanker shrimp pattern quibble context gusset puzzle side-gig super heyday works dance maw pasta chesty feeling duchy peaches offer needed swaddle gingko create holder lemon put-back cancel ginseng hole through special chutney bale yap gag upper duo headlight augment trunk accept collate restrict breaker q-tip placid hungry spalted iron halfway logic room-tone aspire cover entrance scooter console spring-fed cook nitrate shuck elven banjo barefoot puzzle trembler attain tall-bike dye canoe number repent tabs wilt trailhead buried mitt printer grandpa freehand farewell jacket box-wine scold capture crystal tender verso sports shaggy lead crusher half-pipe flora bluster endless winded shooting Sunday cupping ear gilded bottle weekly suss cervix transmute starboard fiction cut-off Quaker dunk gossip gasket cutlass august phlegm rhythm canvas porous cure ordered skald nature hunger septic pylon detox boon garlic teeny draft catchall goalie cobble dilate grape-leaf AI raffle bandy labor rubble stern quasar erode lilt prep sickle drone udder shackle pug van item roughly sample perish neighbor noise crater diamond tranche arise strive peppy colleague cracker two-fold communes sparrow weed shall gooner tiptoe 5G ocean gamma palm stuffy something sushi trappings hair-piece ta-ta dripping steamboat binder y’all veil outside ray-gun goodbye popcorn cusp phantom zaftig retrace fennel prepper bevel and horse-cock teardown sanguine curl jaunt dove coffee sentry lazy pleasure sauced dog plaza sweepstakes ciao plug bramble oral coarser total pine graphic shush these dirk killing reeds project concrete whirly inveigh ball-peen pollen grapefruit basement shrink-wrap whetted tulip schwa yell trapeze cluster pebble distance inflect stifle chaos transfer record tower omen cringle sandstone football booty tarry gobble lock-in crocus bros specious gas edict spatchcock danger strapped ferry limb tee silver forceps cookie form canter seedy nuance grant piss-play squid facepalm ozone eschew pepper slides fellow northern turbo pay-dirt mascot feeble beaker clench bookish luge vagrant piquant crisis act soy fake-out batten luster knuckled aegis imbue mercy fumble spit yipped vulgar crank accent moment doubt ordeal client murder gelling crockpot sheen papal honcho rolling goddess myrrh plaque toe-shoes savage grateful prairie drinking martyr patchwork band fad relax chop-saw zooted shun cirrus belly pleat scrawny empties juiced witness mange perform blithely plume applaud time-lapse wet-bulb surfeit mango give merit stupor futile method cretin rope vassal fizzle beyond squib legit morning rider listed aren’t shredder wisdom mill aroused different less ratchet pursuit sago roiled music trodden salt Gorgon haughty eye erase sag oatmeal arrest broom dawning crescent sickbay backslide squat urgent innate herring wheedle tithe pallor zeal scrounge dragon storage jetty relent chagrined perk cowrie plaster sunless corn squall dessert clout peaking grated ensue diffuse trying darts doctrine goad bosom apt junk swivel melting gorgeous nettle sawtooth subvert anklet plinth rye waif edit clog frisson candor plating jealous rail pious bimbo swat heron spiral conduct lore truncheon gauze forget warbler tape-head preempt bezel freewheel drawl ashram touching woody choice slipstream hawk errant purloin knave erupt heifer merge key-tar shade forty burner tachyon campaign vase puncture scarlet rabble dissuade erstwhile prissy time righteous pratfall supple range forlorn reeking grebe A-frame crass wiles picket fashy stubborn notion plow sanctum spinster beard farce advent mover riddle spiel shoelace canteen egg torn dopesick gale dirge receipt fractious spoken comrade planning signup trammel agape pop-eyed stitch remnant chips perch unique count flavor uric belie fallow closed drift kayfabe kick navel
**
Whetstone
If the art is a vessel by which to sharpen our minds or in other words to help us to think more interesting thoughts then it’s a mistake to act as if it has to assert anything rather it provides the whetstone against which an audience can hone their analysis and what is the content of a whetstone is a useless question not contents but qualities being the metric by which we measure the whetstone what is the grit and what is the preferred grit for the task at hand how fine a point shall we put on it and remember finer isn’t always better a rough stone sharpens more knives faster.
**
LYN CORELLE is a writer and filmmaker in Minneapolis. She edited the anthology Make the Golf Course a Public Sex Forest!, alongside jimmy cooper, and made the film A Corpse Among Corpses, alongside Sasha Warren.
Herb Chambers (Any %)
…
It is June, in one week it will also be June; I try to tell William how
important he is before bed and he asks Can we stop talking about this
Dad. He’d rather discuss Mr. Gary’s visit next door, come in with
season’s first ditch-lilly, how he crosses his legs at the hairless glisten of
diabetic ankle, rings the doorbell of his mind, etc, but it’s locked from
the outside, etc, says to his host (Mr. Rick), Weeds all over the shop;
you’ll be one soon enough. What he doesn’t know is that somewhere
there is a man extremely frightened of his own shed, that someone or
something is living in his shed, and he’s posting videos about his shed
daily, strange sounds, doors opening and closing on their own with lights
flickering, basketballs falling off high shelves, which do prove that
something definitely isn’t right about the shed. I believe him. Not even
allowed to write something wrong now in this perfect world sorry to all
the perfect brothers and sisters out there. Louisa wakes up before it all
turns into what it’s about, reports that she’s awake for no reason and that
she’s crying, wants to know what’s going on (nothing), wants to
understand why this is happening, maybe, she proposes, it’s the second
blanket, entailing as it does no appreciable good or ill. Today is Joey’s
birthday. It is 6:30 in the morning and he’s whispering in my ear: To
master believing, all you have to do is tip the balance of your thoughts,
words, and actions from ‘not believing’ to ‘believing’. I do not believe
him. Tells me Franky drinks the air like chameleons do and in the
foreground there is a terrace or strip of ground strewn with shrubs and
undergrowth which contemplates resemblance, panorama with dominant
vertical. Update from home: spider, protein in the pool. Just how black
can an animal be—chewables or just the juice. Where my beasts without
my Will or Knowledge, and so on. Louisa asks me to wheel her outside
so she can be alone but the mosquitos are waiting to perform a sort of
non-consensual company (in the sense that they are already visiting).
Says she doesn’t care but she will, which is what a parent is. In and out
of wood, it’s gotta go somewhere. Trapped inside Herb Chambers with
the used and new vehicles and the everlasting deals, thinking about
sealing foam, draino, about how you’ll have to pick up the fertilizing
liquid and bring it to me, conjure your past, how once you were, when
fear was yet foreign to ye. Dog academy (sludge is everywhere), dog
academy (sludge is taking over), which makes the night hideous with its
howls, and which the court severs. Sowbread or swinebread. Dad’s
friend, Donny, used to say, Speak, O Toothless Wonder when talking
about his asshole, should’ve asked What is the event frequency of lake,
of hedgerow. Oriole on the lawn, time on device, disorder under heaven;
simple things, simple places, people. William announces the song is
called Bubbles, into corals into others, says he likes the taste of tears and
would punch himself a thousand times in the eye, geogony, to taste them
again. One big hole in the middle of the month that tasks crawl out of,
assign themselves to you via irregular mesh of milestones, small apes to
the sapling. Dirty Baby, in the felt, finds his rightful place at the brace of
the tree of the heart, beside, perhaps, a negative snake. Tobin’s hand on
my back reassures itself in the dark. There used to be more options
presented, too many to be honest, so that it felt like a casino sometimes
or pleasure park, now you get the one line if you’re lucky and better
follow it to the break in the metals if you want, to come anywhere near,
pin close to finding out. The trunk diverges from itself, makes a crook,
and so there’s an oak right where Nick puts the rubber worm, rendered
‘perfect spot’, underdefined until, and the whole fish with twitch from
gill to tail tip become one mouth entire, can do nothing but bite, and it
does, and in that way Nick gets to spend time with a fish, some few
minutes, call it patience, like there is night and there is day, night is
night, day is day, unbothered by dispute, girdles the entire whirl. At the
same moment, Scott writes that he’s very disappointed in our WEAK
showing. Front is Hawaiin shirt, under is work—dream of quiet:
Equally, radishes will never show their shoulders, flowers instead and
are excused, inexorably, from the arrangement. Cucumber’s however
come true, find their way to the door. Celebrating 14th Anniversry of my
Special Healing, William hunts the bugs and his uncle scoops them with
a purpose-made net, grafted to adequate, collects blacks, greens.
Yesterday a playful fish playfully shamed me. All it takes is a shake of
the head—forgiveness—rote. Did you bring the multi-knuckle is my
dad’s question, does he mean lift system, lawn flame. Nick wants to talk
Family Memories, tries repeatedly, but I find it impossible to participate,
however benign the exercise, lights in the trees in the dark floating out
past the Polaris Machine, the skimmer-gulp, come lower, closer, are
green blinks somewhere between embarrassment and forgetting. Plants
not burn; Fluvial Drumlins of the Soul, knitted world, TV turns on by
itself (This Old House) frightens both Will and I. At first, in our mutual
innocence, we blame each other, then the dog, but the truth is that no one
was in the room. Outside, above Stop and Shop hangs the sun,
unpleasantest red, orb, reduced to complete and painless visibility by
smoke from wild fires apparently, some half a continent away. Weeks
later the nurse confesses she scolded her granddaughter for staring too
long, What we don’t need is burnt retina. Under its baleful influence the
customers glare, snarl at their counterparts in the aisles, occurred these
horrid transactions, the cashiers on purpose break eggs at check out. The
parking lot fronts on our highly compact field of nightmare. Yellow; two
days. Might as well say The Plan is the Baby with Joey and leave it at
that, at most nod to the old man out on his walk, exercising those
faculties at large. Broad green across green water makes for further
shore except one dead tree there, another, closer’s the Queen Anne’s
lace which a lady is picking, up to her knees in poison ivy. I seen it,
Sky’s, the very air, gone milky, insistent, peradventure to press. If I
could give that to the birds I would, but I can’t, wouldn’t take it, forever
from the tawdriness. Louisa announces The Pump in the Rock from back
seat, draws water from same. Similarly, Tobin recalls, Isn’t these weeds
are forever, never, in any sense, to explain, only that there are no
flowers. Like in the Dream, shows a dog-sized mouse as author and
source of our recent haze, brown with a black stripe down the back and
white feet, must to kennel, ignores our traps, rattles cabinets with its
passage, somehow squeezes behind the fridge; or, as William contends,
he doesn’t want to pick, Babies can write that but sometimes regular
humans can too, and thereby lets the leak in. Otherwise, it is an extended
instance of clover, white and purple and busied about its length with
bees, run hard against whatever bitter edge, original bound, the world
then manages by all earthly effort to present or exhibit. Can’t force it,
tell yourself, have to accept, whether it’s shapes of spruce and bayberry
gardens or the new style of swimming Louisa’s invented, accommodates
her useless leg. Not that it would matter, but I’ve secretly named the
effort Mallard’s Burp. A forkful of vegetal mush partly contained by its
fibrous tube—July 26th, 2026 8:26pm, things get pleasantly flat,
interlinked, somehow lack discernment. Don’t know how to talk about
what one has done, even if, persons, an actual earth of value, like Louisa
with her leg up reduces the swelling. Pronounces a hard C in the middle
of ancient, like me, so that it’s ank-shent, incorrectly I’m told; as if
anybody required further proof just from looking at her, heredonymic
undervault, which flashing sign alleviates its native gloom. Similarly,
Franky’s ump ump ump pulses along, depicts a dog, until she’s left alone
in the dark and then it’s all One Scream with Hell over her head, the Exit
also, the texture and condition of love. Crab apple then, sunflower,
sequenced, obdurate, at turns break their way in, which I’m sure Franky
would prefer, back there, to sleep. Like cleaning the pool opens a
window, christens it unswimmable. Since I’ve been here or since I
remember being here, that one divot by weather’s consistent application
transformed into a hole. Ducks eat gravel under absolutely still
windmill, turbine into sea mist attended by flashing of leaves of bushes,
sparrow’s plip plop, at the very median of things, where heart’s the
marsh view. Englobed in Orb of Great Interest. When, unbidden, Skip’s
two dalmatians, deaf as posts, spring to my memory, they’d come
running when they saw the door open, spots, thankless teeth, uninspired
barking because deaf and could not hear themselves. Singing all
morning, regular bog person with his dirty, unhappy children, goes,
Picker’s chit O picker’s chit / Can’t forget my picker’s chit / Picked
twenty bushels for my picker’s chit / Less meat for it than a chicken’s lip
/ Picker’s chit O picker’s chit. More Deserving varietals all throughout
the maze, aching in the land of plenty, like cormorants together, out
beyond the line of swimmers, of stretched wings to wing-tips, watch
children from jetty rocks with ungenerous and yellowrimmed eye.
Nothing at all like that video of a bird falling in love with a woman,
lonesome as the word owl is. Non-trivial wallpaper job amounts to
repeating fruit or moth’s erratic solution to the garden, those swallows,
staggered and ramshackle, returning home. Louisa come downstairs,
says, I saw a heron that looked like a hunched over old woman out
there, over the marsh, the water. Something about jealousy presiding,
yellow with bunchgrasses, summer bridge activities thrown across self-
funding loops and/or elusive internal waves, about the soul is a friendly
weasel, a ten minute montage of cool and funny moments, my
suspicious lack of preoccupation, several cankers, ends with thanks for
watching which flashes on the screen three, four times. William, now
aware he is a figure here, asks that his accomplishments be
acknowledged and recorded, doesn’t understand Dad’s not in charge,
does not advance, is only better preserved, sport solely in the sense of
sudden and unexpected anachronism. Anyway, just to put it down, calls
this evening of the very pink wind Queen Mermaid’s Magic Hour, asks
why it has to be a poem and why I like poems so much. According to a
recent message, it doesn’t matter where you live—the same people
occur, like wild servers in the woods or flaws in foreign lens, this is
parent with child image, the very navel, ruint dome of the world. Next to
that is doves, two of them, folded together, from below on a wire, white
flowers festooned by accident to the struggling lawnmower, which
probably wants oil as much as she wanted, at all points, an audience.
Too bad pizza is a pancake with sauce and cheese on top. Birdie comes
running anyway, sore at her chines, proof that immortality is but
ubiquity in time. Dear Dad, Louisa writes, Through these long 11 years
and short few days, you have supported me. What, other than the
obvious, could it mean. The smaller the engine, the sooner its shadow is
cast. It’s unfortunate. Whither leads the shaft and all that, weird things
happening again, with seagulls and the moon.
…
**
Alongside Holly Melgard and Joey Yearous-Algozin, CHRIS SYLVESTER has managed and maintained Troll Thread, a tumblr-based platform for experimental texts and internet-based works, since 2011. Aside from the eighteen books published on Troll Thread, he is also the author of BOOK ABT FANTASY (Roof Books, 2016), POEMS ABT ‘INTERN’ AND ‘PHIL’ THE INTERN (Area Sneaks, 2016), MY MOM MY DAD AND ME (Gauss PDF, 2017), and Gain of Function (Hiding Press, 2022). He lives with his family in central Massachusetts.
from Legible Congeries
Amuse Book
Oat simper tail
Oblique purse
Painter moth
Moon erratic
Parrot moot
Scoff
Ilk blossom
Groggy bulbous loom
**
Laminar Animal
Tract of fawn livery
Flak rendering
Flux continuous
Discreet corpus
Light affray
Dust of killed hands
Printing
Eyes
Askance
**
Knotted Thrush
Scoff lacunar person
Loop surplus ink
Mop irksome forest
**
Mantic Glyph
Pink of periplum
Hoax, haver
Is my darkness now
Ended tail
The dip of red
Fawn over
Starting lip
Numb or less
Star crossed rhyme
**
Limpet Limpet
Do not disturb
eraser
Shred hang
Sixth cloudy number
Wall
And
Tall mop sleep
**
RAHUL SANTHANAM is a poet and mathematician, with work published in Blackbox Manifold, Almost Island, Poetry Lab Shanghai, Gilded Dirt, Otoliths and Pamenar, among other venues. His project is to eat the English language from within.
Note: These poems form the groundwork for an ongoing project called YEKTH. “Yekth” (or giecða/ȝecðe) is an Old English word for itching. Each poem is a “rune” composed of two runes: the “I” and the “Ċ” of Old English which, when brought together in certain contexts, spell “iċ” (the first person pronoun I, pronounced itch). In the Anglo-Saxon Futhorc, the runic spelling of iċ would be carved as ᛁᚳ, and this rune provides the shape of these poems.
**
MATHILDA CULLEN is a poet, artist, and translator from Long Island, New York and a PhD student in the Poetics Program at the University at Buffalo, SUNY.
THE PORTRAIT
Well if you feel you must
get to the bottom of it.
I have a prize for you.
Slipped into a thin lake
the baptismal font pools.
That’s one way
to start the day, glancing past runes
kissed into the moon.
Are you just noticing
how we say deviled to speak
of the pitted, plattered
eggs, of their elements
folded in with a bone spoon.
Add a side to the dyad. A triangle
to the head of the dead.
Persuade a ghost
to sit for the camera,
to turn open a spout, to plant
in an enemy an inkling
of an absence in the fresco—
the apostle’s sheet
of gold leaf moldering
to sandaled feet.
Evidence the earliest
recorded case of encephalitis,
alopecia, of dolor, which this gecko
precisely remedies
by tonguing its eye.
If you feel you must
polish a glass, do it
with diamond paste, the way sails
draw fire and whittle down
to toothpicks in the distance in the fog.
**
OBJECT RELATIONS
The red went first
to the cardinal, then the bird.
Some brought the morsel to the mouth.
The others, the mouth to the morsel.
A foot was the weaning that cleaved
what desire elides. And Gabriel
the archangel purpled
the rheumy beast.
So an infant saw shuffling
cardinal zucchettos and saw
instead a runnel of areolae
trickle into the chapel.
Holy See, the king
had died. Below those eyes
was the mouth.
It opened wide to say Let me in.
I stayed as you asked
through the fable for the welcome.
Never looked closely.
Answered only when asked
My god who’s responsible
for this? It wasn’t I who riled
the razor-hocked roosters. I only wagered
once they were cast. I whispered
You see that fleck in the sky?
I’m going to make you a star.
**
SCALENE
Of the two in a trench coat at the adult cinema,
is it better to be the boy perched on shoulders,
seeing for the first time in technicolor
the tip of a penis trace an ellipse around a vulva—
as would a stick of chalk against slate explaining
how spacemen in their craft slingshot
from Venus or Jupiter to Puck, Ariel, or Umbriel—
and out of a novel notion of fairness,
honoring an agreement and holding back
urges of rubbing himself the way he discovered
last week in the bath; or to be the boy below,
listening in blind on true last mystery
to sloshes and groans and a family tree
outlined by dialogue,
summoning two faces, and upon facing frustration,
summoning two others that will do,
and therefore be the one who leaves the theater
slotting in one suspicion for another:
not the blacktop theory
that the navel is where we came from,
but that the cleavage of breasts must be another ass?
**
PRIMER
To august the day
is to
billow the room
with curtains of primary
colors in order to
spin your wheels through
the taut meniscus of the mystery
with the clarity
and intention of a recently
spectacled myopia
and finally
see if only
for a singular
frame a projectionist’s
fine hair cleave
a silver celluloid
world in two.
In seeing a serpent
break her
disguise I saw
a serpent remember
the slither here
with an urgency
necessary to denude
you of your infant
sense of timelessness
and make all
quiet as if
turning closed
a spout just nearly
above the rain.
What if what I heard
was you in every voice
in every early
room condensing
to rise capillaries
beneath the top
coat of paint of every wall
of every room so
we may be
more than simply another
sprout of an answer
nippling the topsoil
just above the rain
to the question of
What isn’t lovely
in the shade when there
is some to have.
**
URANIUM GLASS
at first
seemed so
innocuous. The way the wind scolds the crow
for praying for a wife at the corvine funeral.
A captain knows what to withhold:
the orange, for example, to thwart mutiny.
There is purple always
in the black, where the circles wive
the lines. Imagination frosts glass first
before disrobing a mother on the other side.
Allowance was for you then
two: l’argent de poche; and alone to the shop
you were permitted to go, backpedaling
night into dawn, draining day
from your locketed faces. Were you
to do this over, you’d want everything
in its places.
As in, behind shopglass, you
can’t see through your own nose
grease and nostril fog the price
on the pendant, but you know everything
everything is in its places.
**
BRIAN OROZCO is a poet and artist who works in the still and moving image. He holds an MFA in Photography from the Yale School of Art and an MFA in Poetry from the Iowa Writers’ Workshop. His poetry has appeared or is forthcoming in The Yale Review, APARTMENT, Paper Bag, Bennington Review, and elsewhere. He is currently participating in the Scholar’s Program at the Western New England Institute for Psychoanalysis.

Past and to come, seems best; things present, worse (2026)
Silkscreen, acrylic, and oil on wood panel

Turning your head sideways, wondering what’s wrong with the world (2026)
Acrylic on canvas and oak frame

Unseen labor 3 (keeping things together) (2026)
Masking tape, electrical tape, vinyl sticker, graphite, and acrylic on white oak panel

Punched out 2 (2026)
Acrylic and oil on panel

Your Red Warmth (Tongue in cheek) (2026)
Acrylic, oil, and plywood stretched on nylon

Your reflection is skewed something is off (2026)
Acrylic and inkjet transfer

Does it matter how many times it is said or who says it? (2026)
Acrylic and silkscreen on panel
**
ELAN WARREN (b. 2005, Boca Raton, Florida ) is a Kansas City-based artist. Warren’s work exists on a wall and also in three-dimensional space. His work focuses on the skin, interiority, and the sense of touch through painting, relating to the body and how we exist in the world and uphold systems. Using methods of drawing, painting, screenprinting, and sculpture, Warren has shown work in Kansas, Massachusetts, Illinois, Minnesota, and Florida. He explores the body and the space the body inhabits, questioning social positions, systems, and what constitutes a vessel. Warren will receive his Bachelor’s in fine art from the Kansas City Art Institute in 2027.
In The City:
In The City,
Iguanas tether bottles
for country
and sugar,
and coffee,
and land,
the trees,
the road,
the beach,
the salt,
the sea.
On every street, dead dogs.
The less traveled road boasts a fungal cactus. Water circulates a parish concerned with the expansion of bodega lightning rods. Remember the turn of the century, when possible, the trust thus made from death footage whose lore sparked Americana. So long for respite, bled dry from rafters: a cause such conquerors made by birth, though some are, all of us, left to ride a wheel in collapse.
Movement is as much a burden
as tradition is. There isn’t more than a
loping animal who lopes with three legs
and shits on the tarmac.
Smoke Pall Malls.
In as much the turning smelt a grocery list,
there are plenty of ways to learn to limp again.
If knees scab, a microwave can do
twice processed open-heart surgeries—
a vein from the shin put on the heart.
Singing soon filled the house. Toothpaste ran bone dry. Javelinas roamed saguaros, poisonous spiders crawled along the bathroom floors, and feral dogs raided trash, their bodies soon mangled by brambles and traffic. From the singing gives way to big talk of past-due corndogs every night when the lights run low
and the windows are blotted
and the drinks are tapped.
I walked through town wearing sweatpants and a robe, whispered about tax liens, property accruement, wool, glass, steel, wood—made it to the foreclosed house and day dreamt about what I’d do if I could buy a house and if I were handier, renovations I’d make: apt shelving, maybe a cabinet in the bathroom where we could put hand towels once we start using hand towels. Another year and these walks will bore me. I’ll stop them and regret what hobbies I could’ve started if I hadn’t tired myself by walking.
The singing voice is pathetic Concrete makes a house
and squeaks With old bills of concrete.
and is built Men asleep in a tent atop concrete is a spectacle
with suppositions in blooming light. They say concrete is a celebration.
hence wind and The meadowland impaled by concrete pillars
a glossary in liters. to hold a concrete bridge above flowing brown water
Earth was replaced with gunk, the trees reach from speaks,
descendant of beetle shell, If I’m to be concrete, I will grow
and concrete is in mating season. flesh around myself so no one knows I’m concrete.
The plants in the neighborhood unfurl wet disgusting petals smushed in raw earth. Blue eggshells are on the ground more and if you’re looking you can see the little baby bird bodies who couldn’t fly smeared on the sidewalk.
I remember a few weeks ago there was a robin’s egg with the shell top cracked off and a bulb of yolk at the bottom. The longer I looked at the yolk bulb the hungrier I got and wondered if I could eat the egg yolk and not get sick. I knew there was an easy way to find out.
Anoint the self
using a jagged tooth
amidst the kind of bender that ruins
a family for an entire generation.
We could be bled dry from rafters, bop in plumed, concussive night. No longer here do we see our mothers’ torrid teeth smoked black at the site of the century’s major turn—a shot soon where children pose (imagined in smiles, the blood of the street) and wade their water pumped thousands from The Source. Hounded they are by the walk. Hundreds of corners, the sound of breath, copper curbs, longitude forthwith in growing, homeopathic boils.
Spotting the crowd, two staff whiff old warehouse smell—dust, obsolete machinery, damp cardboard. A rig hiss brings about the discontinued hard drive cabinet. Simple work for eleven an hour: lift, point, shoot, scan, wrap, move. The beeping headache. The first nice day with the allergies on. I’ve taken my temperature three times. Back home I clean off pubes coated on the toilet.
Myopic efforts differentiate
form. How about one
blood oath to be collected?
Dredge sauce dishes,
call for brutes along curd ridges
and sing away maladies for which
another quantity is longed
except it’s a melted condom beneath your nose
and that’s saying what there is about
the lust of Sunday downtime
when all the chores are done.
Work remains to validate the experience of marketing’s misdirection, which is on par with letting go of moisture and, instead, sees to the sockets in the industrial park. The old couch provides a quality of sleep lacking a spiritual agreement while a historic building in historic registry encapsulates its historic withering tumult on straw.
I continued my day of lifting and walking. The watchtower slinks off one map to get pain right—fan above bolts upon the prairie, my window shattered by a dog’s tooth.
And then a father dies on the coast
where lolls telephone poles.
In Loiza, where he died and all his kids met for the first time,
a horse from San Lorenzo galloped.
They all said he loved concrete.
Concrete claims wanted space.
Concrete highways slice paths
like a sword made of concrete.
Concrete becomes an
animal in the dark
and concrete, porous, absorbs spilled piss and lead paint.
Slabs crumble and concrete needs tar sometimes to feel stuck.
Buildings are concrete.
Pillars are concrete.
Highways, concrete.
This smell of concrete
is the blood in concrete,
the stale concrete water,
strays in rain, holds, cracks in time, fixed with concrete.
Imagine being buried in this ground and then drowned in concrete.
That’s what they’ll say about me.
I feel frail meat wrapped around my knee.
I see plaque illuminating
our great couch, our billboards, our sayings.
**
CHRISTOPHER AYALA is a writer from Massachusetts.
from The Academics
I suspect it’s a possum messing up with your womb, their littered intestines mocking pains
for scientific purposes I screen its squeezing mouth, a farmland of reelberries sprouting stench
‘I am to give you some benefit of doubt,’ the hoarseness of my affectionate hand! harvesting
the richest lover from that stingy hole of your stomach’s river! now you are resting for reasons
unknown, murmuring undeserved insults against the concept of advice, ‘a dog is to rescue a
ticking monkey, but that monkey is jumpy! that money he’s grasping with slender fingers of filth!’
well you can always count on animal pixels, warms my digestive system to tell you this
when it is our war I shall speculate further on the compromised role of explosive diarrhea, now
please walk with me to the parking lot of potentially nothing, whipping our beasts’ bruised feet
the possum suspects I am pregnant in its womb, with plain agrarian accuracy I lie beside you
‘O what a beautiful leech of assholes,’ you spread open once, ‘is this how knowledgeable I am?’
a psychologist friend who broke
several ethical codes to allow me
sit in his office listening to clients
cry to him once said he had beef
with ‘not PhD but MDs’ whose offices
were in the new skyscraper
at the center of downtown
when I first met my friend he spent
three hours explaining to me his totality
theory for ‘not human beings but a new
futuristic cyborg’ I visited him
again three years later nothing
has changed except he now gained
new passion for the tech industry because
‘so many Chinese people are
bosses’ I wonder if his association
with power and us being Chinese
had to do with a sense of
impending doom but well
I stopped talking to him for I
have changed my research topic
chair promises our knees ruin what’s down
done throwing dice chances slim the linguistic
relentless lobbying cannibalism to be arranged I
shall be waggling the dog’s illness tans the dog
tail claiming twins are regime of sign change
when I was not writing which was
most of the time I was walking
around making friends
I went to a casino hearing where
some head of a hospital
spoke to the mic about health
benefits of a casino as large
as the entire downtown
‘construction jobs bring
healthcare and healthcare
brings health’ she soon became
the deputy mayor & I
was sitting on the floor outside
watching them shake hands thinking
if there were still things undiscovered
or underarticulated about this
there murmurs were mumbling
not a single round stone kidney
let lone a lamp at noon blinking
pair of references walking to foil
to foil two veracious balls dilly dally
bar chart a doll an uncle vends you
an uncle vends you land ugh
ouching your way out alone handsome?
my friend who sells books on the streets
(his selection ranges from
cancer treatment to the world map
of psychopaths) once whispered
to me his suspicion of the only
Chinese bookstore on the tail end
of Main Street that the owner of this
impossibly resilient book business
must have secret & lucrative
exchanges behind closed
doors ‘or else who could have
paid for that rent?’
I met him at a tenant meeting
that I was too nosy to miss
the advice he gave me
was that I should study Chinese
immigrants’ sexual partnership including
his downstairs neighbor who just
found a boyfriend 30 years older
I said I would possibly consider
this proposal and he left me with
three books that I insisted
I didn’t want:
‘how to manage midlife health
crisis’ ‘the world of wild
cougars’ & ‘metaphysics of moon’
I did visit the owner of the bookstore
who told me neither socialism nor
capitalism has solved the issue of
human kind his suggestion was
for me to get a green card as soon
as possible since I was still
talented like his poet friend who got
translated by a big press & immediately
became an American
insert fluent into a dam’s feather
a pup’s linger
causes fissures of wine’s surface
leather
how how
the reign rains non-stop for a damned
chicken wing
jaywalking to a crab’s crib happy
o’clock
the last friend I want to tell you
about is a home care worker
she asked me about hope
in two occasions one was
in a meeting about her stolen
wages after ten years of
protests the other was after
the mega casino got approved
“is it still hopeful” she asked
she told me I was able to be
a good speaker at rallies
because I was an academic
that if her mom granted her
a chance to go to school
she would end up being
as good as me
in the no casino townhall she took
her time as always wandering
what was required of her
to say & what was lived
for so long that her histories
were circular in accusations
‘all the men in my family gamble’
her lips were very thin & tight
‘all the men in my family lost
all we had’
the next week I
was on the stage doing
what I was good at in
English & she was in the picket
line doing what she had been
doing for years
our eyes met during Chinese
chants & a question wasn’t
there
and won’t be
for the time being
how come a pigsty is the pressing issue of your referendum is beyond me
not everyone is a cyborg modeled after my uncle sitting on a crooked chair in the village
being gifted three million bored hummingbirds is necessary for manipulation
if friend A is an asshole how do I stand by my innocence sitting in friend B’s seat
I met my partner on the weather forecast app because we both believe snow is conspiracy
the other day a purple dog told me I was colorblind but a dog should not be able to speak
the fact that I met my partner on the weather forecast app should persuade you snow is a conspiracy
the world is full of contradictions but I remain steadfastly coherent in times of confusion
here is some Japanese tofu which is completely tangible and realistic
ever since my ex died in Chicago I routinely check his instagram for new information
I love information that’s why I am being tasked to muddle its simplicity professionally
it is completely acceptable that I should be unemployed and deported once I finish this big thing
if you texted me and I never texted back it’s because I felt weird about you not because I was busy with this big thing
currently I’m instructing my uncle to stand up from the crooked chair I envision
his body emits geopolitical insights as I increase the stakes of lying
‘it all depends’ I sculpt this chair deep inside of him
there has never been a language appropriate for this foolish truth between you and me
3am appeared to be the right time doubting
the omnipotence of sleep so I chose to pay
attention to the blue tarp’s late blueness.
there were women sleeping under the steady
hushes outside the spring-infested city hall
whose streets instructed our living orderly.
you can sit down anywhere in the world if you
have a chair. we were sitting down at this
important street corner when a man walked by
starting to yell. ‘who could have worked for how
long you claimed they have worked & not already
have died in the emergency room somewhere.’
he was upset we were sitting down here foreign
-ly. he speculated abt the intention of foreignness.
this city has the biggest manhole known to me,
many tiny hands tickling its possibilities. legend
has it our new mayor sleeps deep down the
snake pit, his legs all tangled up to defend our
sewage. there’s a chance he cries himself to sleep
every night. some like to echo the whimpering.
my mom read a novel during her night shifts
about birds & romance. it was 30 years ago
when the nascency of day was deep in the
belly of my current clock. i grew to be familiar
with her sleeping breaths & teeth’ shuttering
clench. she mistook her own sounds for spa-
rrows, lay awake to imaginary creatures threat
ening our organs’ symphony with rests.
yesterday a spy was revealed after her oldness
gave out enmity. under the urge of confusion I
went to see the puppet. did you see how the
puppet was free the spy-busters whispered to me.
did you see the metal pretending hands? little
wandering time, tripping aunties with hours errand?
the student sits on the seven train, thinking of numbers.
‘I am the epitome of counting,’ she says out loud, not sure if it’s the right address.
‘the world is sorting me out,’ as places fall.
as places fall, the student winds a man’s spit on the night curls
the drowning of a ride’s sudden split, green she sees
light’s vein passing quick
light’s vein passing, wishes make her water known
the student leans in, urinates wickedly
at a sculpture in the middle of everything
at a sculpture in the middle of everything
the student coins
flatters, gleans me
cleans floral means —-
**
YUYI CHEN is from Sichuan, China. Erotic Continent is their first book, out now from Discount Guillotine. The Academics is now available from Blue Bag Press. Their work can be found in Chicago Review, Cleveland Review of Books, Common Place Poetics, and others. They go by Echo.
Temple of Phthalates
Yore and Lift
were gods
to which days and curses
belonged
Weepers had their Finders
back then
and Firsts had
their Earths
Isotopes had their bonus
neutrons and detritivores
ate up detritus
Stone huts and perfect yurts
surrounded the Seven
Reservoirs whose surfaces
glittered and shifted like
cool practical effects
Back then efforts
were recovered
from the perilous
and forbidden
Temple of Syncretisms
and if not
from there then
from the Temple
of Movements and
if not from there
then from the
Temple of Perfect
Movements where the priests
used to say
Just as Each
also Ever—
the many Odd Ways
also Stillness
Down the Old Glacier
Highway to the crowberry
bushes and the shieldfern
gullies
and down on the other side
of those to Stillness
And on the other side
of Stillness
Negative Stillness
And on the other side
of Negative Stillness
peak compound words
like spacetime braingut
axis heatdeath and
livingproof were
and on the other side
of livingproof
the knight’s hamper
was and still is full of nutrients
and the midquel shed and still
sheds its infrared ingratitude
so lightly
and druids from the future
and dinosaurs from the future
had and have sacred migraines
and on the other side of their sacred
migraines the gardens flex
their pixels
and the algorithms flex
their suggestions
and the usages flex
their farms
and the prototypes flex
their rooms
and the rooms house the brains
of famous mediums
and on the other side
of the famous mediums’ brains
the pressure point of no
return is vulnerable
to ocean spray and all
the ocean spray sprays
in unison and surrounds
the final fant short for fantasy
and the close prox short
for proximity
and the reverse chron
short for chronological
and on the other side
of reverse
chron are
maximum experiences
and maximum sights
and medium laments
and endangered species
and unsolved laments
and impossible laments
and laments from beyond
the forgotten crypt
of the unknown star’s
lagoon and beyond the forgotten
crypt of the unknown star’s
lagoon are gifts
gifts gifts gifts
positions and more gifts
and on the other side
of the gifts is the deepest
known underwater cave
in the world which has a chamber
called New York
and another chamber called
Secret Recipe and another
chamber called Secret
Formula and another
called Secret Ingredient
and another called Secret
Message Secret Code
Secret Word Secret Agent
Secret Police Secret
Base Secret Passage
Secret Garden Secret
Room Silent Letter
Silent Film Silent
Partner Silent Running
Silent Auction Silent
Majority Silent Bob
Silent Treatment Silent
Night and on the other side
of Silent Night is Brood
Cicada gentleness
a failed star that was
here first and the
rare chance to behold
a famous omen
collagen molecules
famous extinct plants
marine plasma
but on the other side
of marine plasma rooms
were out of the question
Rooms had left the room
and topics were showered
with articles and the darkness
was not quite virulent
enough to camouflage
this mesa that time forgot
to include in its listicle
of exotic biases
and on the other side
of the exotic biases
was the presence of a partial
panorama and the phases
of the panorama
but on the other side of the
phases of the panorama
the blue trees aren’t flat
and they aren’t aren’t flat
and they look flat
and they are flat
and there are therefor varieties
of blue tree experience
and on the other side
of the varieties of blue
tree experience is Wishing
Well 2 the sequel to Wishing
Well in which the hero
asks the antihero Through
which blood
does arrival do its
overachieving? To
which the antihero
answers The blood
of desire’s stochastic
process maybe
Or perhaps the blood
of the crystal clear maelstrom
at rest or perhaps the blood
of the crystal clear
material at rest or perhaps
the blood of the crystal
clear utility at rest
or perhaps the blood
of the crystal clear
compulsion at rest
or perhaps the blood
of the crystal clear
black hole at rest or
perhaps the blood of
two crystal clear black
holes colliding
in the amphitheater
of the so-called firmament at rest
suggested the antihero at last
And on the other side
of the so-called firmament
the antihero went on
All the parties and nowhere
to go except heaven
now must come to an end
for Christmas on the Western
Front and on the other
side of the Western Front
are the fire’s flowers
and the famous rivers
of the famous cities
and the famous substance water
and the famous atom oxygen
and the famous property mystery
and on the other side
of the famous property mystery
heirlooms bob in the calm
Caspian Sea and the Snake
Oil Sea and the one-inch voices
prevail in the library
of microplastics
and on the other side
of the library of microplastics
various schools of eternity
debate in the Temple of Phthalates
and on the other side
of the Temple of Phthalates
there were and continue to be
astronomers who see when
they look up a vast—
and this is remarkable—public
And when they look down
claytonia mercury
greenthread lead
cardoon oganesson
hopniss radon
samphire astatine
tastes allocations
and on the other side
of the tastes and allocations
sitos opson oinos cheetos
and on the other side of the cheetos
there are so-called holdfasts
and so-called redoubts
and so-called dead links
and so-called fixed spells
and so-called rocky planets
and so-called acid grassland moons
and so-called adaptations
and so-called summer nights
and so-called deeds
and so-called songs
and so-called cum jokes
and on the other side
of the so-called cum jokes
there is a special word for surface
that deserves a second chance
and a million year old volcano
crawling with stick insects
reefy water ultraviolet light
hammerhead sharks
paragliders A magical
place the specialists call playing
a sexy game of Go Fish with death
and the managers call
a geode planet sometimes
and other times a list of every known
concept and other times
wildflowers bright Pleistocene
Cerberus meadows of them
and if the wildflowers are always
wilder on the other side
of the Cerberus meadow
and if to pair High
Existentialist Nausea with
like a gag is as enduring
a coping mechanism
as it has been proven to be
why put it to this newfound test?
Why rewrite the labyrinth
when it has closed in around
the self so absolutely any
sudden movement no matter
its source of dysphoria
is a form of solution anyway hmm?
One answer might be felt
in the spirit of the lichen enthusiast’s
dopamine rush or perhaps
in the thrill of prudent and virtuous
betrayal or perhaps in the single
piece of mosaic swallowed
or perhaps it can be felt
in the nursery of the earthquakes
and the uranium sandbaths
the petroleum springs or
perhaps it can felt
in the groundwater
the foxfire the cliffface
the archetypes perhaps
it can even be felt in the
quaking aspen metaphor for everything
that back then sufficed
that back then was called
a sacrifice hearty enough
anxiolytic enough
to subdue gods
like Yore and Lift
gods whose
divine traumas and
divine narcissisms
were earned on
the other side of eternity
where there is no such
thing as medicine
**
PETER MILNE GREINER is the author of Lost City Hydrothermal Field, a collection of poems and science fiction. His work has appeared recently in Fence, Works & Days, and the sci-fi anthology Terraform: Watch/Worlds/Burn published by MCD x FSG. PMG is a high school English teacher and a water quality tester for Newtown Creek Alliance. Join his Sci-Fi+ book community @chimaeraflats.