MK Brake

The Taxidermist’s House

Mansion made of
gelatinous eyes

Won’t you come
be my fancy house?

Iris duplex
is the right wing
broken

sheet stiff yellow
once

cream like underbelly

of loving you sick

&&&

Had to shellac ! can’t resist shine of

lacquered marrow when I put place settings atop it here for dinner your mom-and-dad-bones
hewn to woodgrain

Pass me the ashtray
jaw

molars reach out
cinder holding cell
swallows vice remnant
small scraps of citrus
rind

Your sister Polly under the lemon tree

They grow so sour!

Pop entire fruit into mouth
feel against my teeth the way Polly’s teeth
felt against my teeth

Seeds as big as toes!

&&&

House is peopled
is a boarding house
is seeing you everywhere
I go like
blackberry jam

seeping thick and fibrous
through floorboards and crags

Fledgling wrinkle
springspread from my jam-
crusted eyeblackeyed

picnicking love fruit on the
unswept floor
breakfast for dinner in
checkered skin

biscuits cheese fingersandwiches Polly
zested this tart

hungry at sound of intestine split sharp in sausage

&&&

You know my grandfather was a poacher was a decorator, room full up dead
summer house, vacation—no summer i don’t want to inside the frozen faces cold in here
without my sweater illegal killing of what did that lion
do to you? coarse and contaminated, contagious in all the wrong places
mind fragility mine and foster the sickness looming my grandfather sick, my grandfather
the table had a bench made of Elephant sat on it while he
stroked

 

**

 

Taxidermy for Dummies

1. Find Curdling babe (know fault lines)

2. (In) all my mouths it  quaint

(In) cinnamon limitless

gun

of us filled with poison of us

::In, in, girl— In ! to::

3. Jitter cerebellum (unbreast this bitch)(nightly)

+ stew/disengage
a) limpness of boy livers
b) transubstantiation
c) September

4. Vaccinate hopetooth vampyr

5. What living for death brought (but it was WHITE hot !)

6. Incantation: a Word/Nymphish/You that’s two:

JACKRABBITbrew

Bind the giant thumps that tender skulls may never

your appleless
that/whitch

-for once offered milk
-for praise  in the dark
7. Bloom the Blood-On

Mosquito spot Inchoate

Cramp

8. Pry cystic Why from my blasfemur

9.  Crane back until neck inserts itself your sewer &surfaces in the bobbing

Wake This Water Dirge ! You manhole saint :

10. Sing ( Oh HO- SANNA ) the

ipecac

virgin

away

&fill the abscess

in(Hello! I’m In Your Tooth)

falsely

forceful

expulsion

 

**

 

The Taxidermied Chorus

JACKAL: Anubis molest halogenseam off cock

IBIS:Sow

frightforms Sight Wins Converts !
  Store Eyes in Birch ! !

CAT: This the sun-crossed
blood-crossed
lore told lover

RAM: How to outlive abrupt
drug /fall coddled, hotter :

ALL: Tableau who prays

pain-lore
demands

CAT: Fell canker sore & Fang snare moan

IBIS: &Stay the fettered  clown seeds

ALL: for (proper/fragile) Dark Shorn Stardom births liar

pandering

JACKAL: Freeze stepped-on eye acid &wrangle hosts

CAT: when bending light  refraction

ebb fright-mirrors

kill savior sage

IBIS: Then

Opal

Socket

Pardons

RAM: Shallow out pyramid or stonehenge donor/ lore-refrain behest (a lie):

CAT: Light Forgives!

IBIS: —LIED LIGHT!—belied all the ways doves creaming

ALL: Jut Temporality Lore Scare inside

RAM: ReQueen what sought her
sty

CAT: Creep tits
hard-on/ off last

ALL: All Handled Queer Fest

Sundering Gut Choke—

All His Drugs the Pretty Sprite Sank

JACKAL: Hollowedhusk linger :

The Pet Predilection

RAM: (Grinding Lye Lye Lye)

CAT: as thimble
nimbly
de/constructs
paternal

IBIS: antibacterialize fetid worth

ALL: /WOULD’VE CALLED BUT GLUE TOOTH my heart IS a feather

these the scales that weigh me Just

a spread-ass adolescent

 

**

BB ’ s
BB

! ¡ CUT-THE-
COLIC ! ¡

DADDY SPIRES ALMOND CAKES

CURBS PINCER @BELLYBUTTON

BUT I COME 2

K I SS YO U !

!! !*!

(+ keep my sugarmeat)

NOW WE KNOW

WHO’S AFRAID OF WHO’S

STUBBLE

: YOU CAN MAKE A LOT OF
MONEY ;)
THAT WAY *

(((((((((((((((((((((((((((((((((((((((((((((

**PURPLE (IN THE DEATH DEN) AGAINST THE
LYING WHITE

=

***“BEST IF USED BY”

DATE:
********B*I*R*T*H*******

 

**

 

M.K. BRAKE likes parties and poetry. She is primarily a projective verse poet—dabbling with form makes her dance dance. Her work can be found in Fruita Pulp, Arsenic Lobster, Smoking Glue Gun and others. She currently teaches Poetry at Louisiana State University.

Peter Milne Greiner

SANDIA

 

THIS PLACE IS A MESSAGE…AND PART OF A SYSTEM OF MESSAGES…PAY ATTENTION TO IT

 

Study departure        Again departure

and often         Creation

and often            Trust us

 

*

SENDING THIS MESSAGE WAS IMPORTANT TO US WE CONSIDERED OURSELVES TO BE A POWERFUL CULTURE

 

Our departures         Autoglyph

Thoughtfully            Desperately

Touch our lost letter

Stay and learn about leaving

 

*

THIS PLACE IS NOT A PLACE OF HONOR…NO HIGHLY ESTEEMED DEED IS COMMEMORATED HERE…NOTHING VALUED IS HERE

 

What the opposite      What the wonder

Form                  And take

I deprive you                 Inheritor

Heart rate

The chamber and pipe model that determines the throat

Determine sleep Cunning Advantage

Determine escape hatch

 

*

WHAT IS HERE IS DANGEROUS AND REPULSIVE TO US THIS MESSAGE IS A WARNING ABOUT DANGER

 

Pin

Pin

Fear

Departure

Pin     Author

 

*

THE DANGER IS IN A PARTICULAR LOCATION…IT INCREASES TOWARD A CENTER…THE CENTER OF DANGER IS HERE…OF A PARTICULAR SIZE AND SHAPE, AND BELOW US

 

Polysemous burials     Changing acts

Our core     Harm     Valley

Quest     GrailPromises

Museum is an old word, too

It means house of dilemmas

 

*

THE DANGER IS STILL PRESENT, IN YOUR TIME, AS IT WAS IN OURS

 

Fool’s plutonoium

There is only one time

If you have broken the (roughly)

Barrier Barrier

Perhaps you have

We meant magic lamp

We meant touch

Perish

 

*

THE DANGER IS TO THE BODY, AND IT CAN KILL

 

Neat catalog

In what you discover

was once called usage

No use for that now

No use for depiction

No use for body

 

*

THE FORM OF THE DANGER IS AN EMANATION OF ENERGY

 

Nature

Our folk technology

Our terragram

Runs

It runs with the fountain

 

*

THE DANGER IS UNLEASHED ONLY IF YOU SUBSTANTIALLY DISTURB THIS PLACE PHYSICALLY. THIS PLACE IS BEST SHUNNED AND LEFT UNINHABITED

 

What is here

Came from what

Oblique distance

Assume you

Hope you

Irrelevant commandment

Save the opening of this one

Save it

Until the last second

Until the absolute last

Reasonably possible hope for hope is lost

I will teach you an art

Of surrender along the way

 

Text in caps in “SANDIA” is lifted from a report by Sandia National Laboratories entitled “Expert Judgment on Markers to Deter Inadvertent Human Intrusion into the Waste Isolation Pilot Plant,” created by Kathleen M. Trauth, Stephen C. Hora, and Robert V. Guzowski. A PDF of the full report can be accessed at http://prod.sandia.gov/techlib/access-control.cgi/1992/921382.pdf.


 

**

PETER MILNE GREINER is the author of Executive Producer Chris Carter (The Operating System 2014). His poetry, science fiction, and other writings have appeared in Motherboard, Fence, SciArt In America, Coldfront, Dark Mountain, and elsewhere. He lives in Brooklyn, and blogs at kurremkarmerruk.tumblr.com.

Jessica K Baer

Face / Off

I.

in a spell of letters
a pivot points blank
zone

as much as a calyx
as much as petals
meant to me
in my chicago unbecoming alone
hollowed to sound: patterns
as far as I am
as much as the meter
or music terms
I forget them in songs quicksand
eddies word leaves a bird
-quakes b/t
a film abt vincent price the lone
liest man in the galaxy: vampires
a truncated word
a seeled cosmos
an alveole method of eating
selfsame otherskies
I disgorge
as lodes up to earth
ores in the veins

mirror mirror divulges

my sunk weight
a nought angel
nulls central it
harp-strings
a locus in pause
I arrive after myself
body bandaged body
this turns out
skeletons inverse: gutted
horses were my parents
orphans cardinal
direction

& in compasses in

my vocal chords strayed
littoral partitions a cutout at sea
rain bow peg boards flat
redoubles grace
notes & pitchnow
hitch yr wagons
up to this: bis
dis arms world all
misblossom talk
talks to itself
same telluric :: earth
rock gnaws a way

II. in still strips

my face / off

*

Saggars Behind You

Sometimes it’s finished when you
Just crystallize me w out
Slip coating
Or burnishing blacken b/t
A porous world – ball
Clay, yr back:
Coils, earth wares

Under thermal shock, retracted
To the pt of hands
My middle, centering technics
You tonsil blurred under water
Slushverse & cirrus white slurs on
Slipinside a flux: yr murk shapes
& still bracketwater

Joints into clay, cracks re articulate
To Scatter brick teemed or
throes aside you
Oven mouth holes
vein-leaf-finger
To palm it figured us out
Side tempos, hollow where
Flames pulse so thrust you
Past over glazed, my sight
stakes out, wedge Anew
phantom earth saggars wherestone
torn out

*

They Live Too

repeat elysian in tones
blood-roped blood
lasso pulls thru
we wind down behind
sun sets lost strains
dust sifts bowl
basin grows out
big as outside: other
world underneath
kneels its cosmic
beatdown the land
all:

my mirror image likeness, unsky
my god space
expels or ejects – void untill
my aisles of body congeal
this is a tone
stutter it outre

you pass the haunted stars w yr
voice access voice
then pierce it blood
writhed into floors too
that laid the plains down
back on our knees, four
square then there cattle counterfeits
my blood buds :: uppercloud
it stamens – pierces me
shatter fare – this anneals
or tempers into a weather
machines
you ground out of : shimmer
like whittling into
wind b/t – slices of
airlost planes

a horse w o
color, you drive it in
countering: brooks still
idyll

**

JESSICA K BAER received their BA in Creative Writing from Georgia State University in 2011. They live and do field recordings in Chicago. Their work has been featured in Fruita Pulp, Horse Less Review, Deluge, Prelude, The Boiler Journal, Potluck Mag, and Sugar Mule. They also have a future chapbook with Magic Helicopter Press called Holodeck One (2016). They have a lifetime ban from Whole Foods and love horses.