THESE DAYDREAMS ARE WELL-PAINTED
and the August sun is quiet
beneath the heat and speed of Nevada
i trace silhouettes of audible mountains
a vestige
where
the geometrician steals my iron spine
beetles scrambling
magnified consonants
spiked by hard sand
a gambling swarm
ignored mumbling laughter
spillover noxious language
insect voices yell complicated double knots
i cut prayers for a stoccato god
scalding pedestrians
shut their blinds
paused suffocated by living room edges
hollow cymbal
familiar smokescreen noises
i am wide awake two stink bugs nauseating
release steam above decorative porcelain
bounty fine fabric of raincoats
strangled by mildewy smells for three days–
my blurry radar is showing stones
flattened by the sea salt burden—
vowels to be notated
cutting the lawn
is a neighborhood tremor–
play rotted bones at dulcet frequencies,
and the fake grass is an irreducible obstruction
next to fallen half-cuttings from dogwoods
i picket the granular bone into fresh sod–
stress pathology of sewer flows
as an ocean depth synchronizes on a green diamond
i am ditched at the colossus
barnacle lining grafted fields
this grass-sized muted siren is flayed by a monolithic voice
as oil pools in the base of the frame
i paint a picture of a bull on the ceiling
and there is not enough in the pocket of a giant–
talons of antholites bounce sour sounds
hear
segments of blank space
nestle beneath molting wood sorrels
wrought wasps move frenetically collapsed by vacuum
submerged by the flood of sun rays scorching leather chair
open curtains— shredded
the immutable geometer is killed by his enamel coat
and this rotted obstacle closes
i place dynamite on the counter with plaster birds–
of kinetic departures— a trash fugue
curtailed plastics pile up by middle June
weaving against suffocating living rooms
i am poisoned by its asthenic furnitures–
or a heavy foulness,
anabatic by a multitude of herbs
my words
unfurled
by a ballet
collecting aerial mint tulips, i am staring
into the sun’s mirror
phases road blocks
of terror traffic
painting
a splintered geometry
pray to weaved
jams
and fragrance vapor
acid bath
unmetallic
spoiled saint parades a silent February
by dancing jokes
crumpled harmonies
i navigate a bismuth garden,
carved into an unconsulted Oklahoma
wisteria sensitive to a cataract whistle
my skin is beginning to break off
convergences of rich blooms
disassembled
by page length creases
melting point to stale winters
curved to massive appearances of unfamiliar insects
i live drowsy on heated flatlands
and the geometrician practices
a routine of seeing double—
☉
**
MAXWELL RABB is the author of the chapbook Faster, the Whirl Wheel (Greying Ghost, forthcoming 2023). He lives in Chicago, leaving his heart in New Orleans and Atlanta. His poems have appeared or are forthcoming in the Action Books Blog, Sleeping Fish, mercury firs, and ctrl+v, among others. He is currently an M.F.A. candidate at the School of the Art Institute of Chicago. He co-edits GROTTO.